As we count down to Halloween and impeachment, this song from CCR’s 1969 album Green River seems appropriate to the moment, both chronologically and politically. With its dark subject matter and top-quality riffage, it’s every bit the equal of “Bad Moon Rising,” only a lot less overexposed.
It’s also fun to imagine that it’s actually called “Sinister Porpoise,” and go with the mental pictures prompted thereby. Try it, you’ll like it.
Word came across the transom today of the departure from this realm of Ginger Baker, drummer extraordinaire. Although most of the obits led with Cream, a great band to be sure, that was only about three years of his 50-year-plus career. He also played with everyone from Brit jazzbos the Graham Bond Organization and Afrobeat godhead Fela Kuti, to Hawkwind and his own Ginger Baker’s Air Force, to post-punk bands like Masters of Reality and Johnny Lydon’s Public Image, Ltd.
Here he is adding a relentless, pile-driving rhythm to PiL’s “FFF,” circa 1986. Say what you will about Ginger — subject of the aptly named 2012 documentary Beware of Mr. Baker — he was a force.
The great and powerful Ric Ocasek left us this week, and we are all the poorer for it. Ocasek was not just a rock legend, not just an esteemed producer, but also a genuinely funny person who had become a late-night comedy staple.
The justly beloved first Cars album was full of hits, but “I’m in Touch with Your World” was not one of them. In fact when I first owned the record, on vinyl back in the day, I would go out of my way to lift the needle and skip over it; it was just too strange, too spiky, too different. Now it’s my favorite song on the album, and it is, indeed, a lovely way to go.
For reasons having to do with the alphabet, I’ve been listening to the band Blancmange this week. They are generally filed under “80s Anachronisms” with other synth/voice duos, but I think they deserve better: All three of their vintage albums — Happy Families (1982), Mange Tout (1984), and Believe You Me (1985) — are magnificent. (A spate of recent reunion albums, some featuring only one member, is another matter.) The sound is High Eighties, to be sure, but one of the best specimens thereof, and the songwriting is both sturdy and imaginative.
This song from Believe You Me is a great example of what Blancmange were capable of. 34 years later — Jesus, is that right? I guess it is — it still sounds pretty great to me.