My intention has been to organize this thing chronologically — no other structure really makes sense, and without structure chaos reigns. But Van Morrison didn’t write songs during his childhood (that we know of), so we are stuck with songs that he wrote later about his childhood.
Biographer Clinton Heylin — whose book Can You Feel the Silence? I am making my way through at a pace glacially deliberate, or maybe deliberately glacial — mentions “The Street Only Knew Your Name,” which originally appeared on the 1983 album Inarticulate Speech of the Heart:
This is not my favorite, to be honest. The longer version from the 1998 compilation The Philosopher’s Stone is more my cup of tea:
Heylin points to the line “Would you prefer all those castles in Spain/Or the view of your street from your window pane,” saying:
Even as a child Ivan was set to develop a very real capacity for seeing beyond temporal reality…. It was a childhood in which he spent long hours gazing out on his street, all the while envisaging “all those castles in Spain.” This was a boy for whom the layers that kept the seen world from the unseen were gossamer-thin, where even the odd astral projection was not out of the question….
The last verse name-checks two Gene Vincent songs:
And you walk around in the heart of town
Listening for that sound
While the street only knew your name
The street only knew your name, your name
Sing it, “Be-Bop-A-Lula”
“Who Slapped John?”
Well the street only knew your name
Both these songs are from 1956, which would have made little Van 10 or 11. So imagine him wandering around Belfast, hearing these strange foreign sounds echoing through the streets. Gene Vincent was from Norfolk, Virginia, which is a long way from Belfast in certain ways of measuring the world. (In other ways, maybe not so much.) But for whatever reason, rockabilly was big in Ireland.
To simulate the effect, you might want to combine this audio:
With this video:
Take a couple minutes with that, ponder it, and we’ll reconvene in a few days.