So you think you’re having a bad day? Captain Willard has been locked in a cage barely big enough to stand up in, his only sustenance a ladle of water and a few puffs of cigarette provided by the nameless photojournalist. A hot and humid tropical day has given way to monsoon-style rains, and after a quick cut back to Chef at the boat, we find Willard slumped over, covered in mud, appearing to have abandoned all hope.
But that’s not the worst of it. From out of the darkness Kurtz appears, like a figure from some absurd nightmare, his giant bald head decorated with camouflage war paint. He drops Chef’s severed head into Willard’s lap, and I don’t care who you are, that’s going to freak you out a little bit. No wonder Willard loses his cool demeanor for the first time since the opening scene, screaming and thrashing around until he can finally get the head off him.
Why, you might ask, does Kurtz feel compelled to put Willard through this ordeal when he wants Willard to tell his tale, presumably putting the most favorable spin on it? I don’t exactly know, and I’m not sure FFC does either. Maybe he would say that Kurtz wants to test Willard, push him to the very edge of what he can take. Or maybe that Kurtz is, after all, crazy and dangerous, and not a man to be trifled with.
In any case, that’s some messed-up shit to pull on a guy, and the relationship between Kurtz and Willard — off to such a promising start — may now require some damage control. How will Kurtz win him back — read him some poetry or something?