My first non-Star Wars LP purchases, if memory serves, were both Gibb-related. One was Andy Gibb’s Shadow Dancing, which I got only for the title track; I couldn’t name another song from it without consulting The Google, which I don’t care to do at the moment. The other was the two-LP soundtrack from the movie Sgt. Pepper’s Lonely Hearts Club Band, which starred the Bee Gees and Peter Frampton.
It is a painful but true fact that the latter served as my introduction to quite a few Beatles songs. I never listened to it much, though; I like to think that at some level, even at that tender young age, I recognized that it was an abomination. The Aerosmith version of “Come Together” was pretty good, I think, and the fact that “Maxwell’s Silver Hammer” was covered by Steve Martin is an interesting little quirk of history; but on the whole the existence of that movie and the music from it is something that everyone, including those directly involved, has long tried to forget.
Somewhere in here the 70s finally petered out and 1980 rolled around. I was 12. When Scary Monsters came out, it got a lot of play on my local rock radio station, which also prominently featured the Cars. At that point I knew who David Bowie was, but I didn’t know who he was; I had not yet learned to distinguish his voice (the original) from that of Cars vocalist Ric Ocasek (the acolyte). I may actually have thought that “Ashes to Ashes” was a Cars song, may David forgive me.
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