Stranger to Stranger
I suspect that I’ve pretty consistently underrated Paul Simon for the last 40 years or so. Probably because that whole Simon and Garfunkel–type style — extreme softness and prettiness — was never really my gig. I recognize the beauty of it, especially now that I’m no longer a testosterone-addled young man, but it’s not generally what I choose to listen to. And some of Paul’s early solo work has that same feel, though there are other songs I quite enjoy — something like “Me and Julio Down by the Schoolyard” is pretty hard to dislike.
So when his profile began to fade a bit, I wasn’t super-motivated to keep abreast of what he was doing. Occasionally, though, I’d hear something of his that made me prick up my ears — a few years back he did an album with Brian Eno, which was a surprise. (In fact, it was called Surprise.)
This year, with it being easier than ever to check out music online, I decided to give Paul’s new album a good listen. And lo and behold, it is wonderful. Stranger to Stranger exceeded my expectations by several orders of magnitude.
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