Seven Thousand Different Melodies
Posted in Dancing about architecture, Read it in books on February 6th, 2010 by billI’ve been rereading Lester Bangs’ classic Psychotic Reactions and Carburetor Dung, and as a result thinking a lot about Lou Reed, Lester’s idol and nemesis. Odd that all these years later Lester’s long gone while Lou improbably remains alive, or at least not certifiably dead, and still an enigma wrapped in a paradox: the misanthrope’s misanthrope, also author of such transcendently beautiful and human songs as “Candy Says,” “Pale Blue Eyes,” and “I’ll Be Your Mirror.”
He is also the creator of the infamous Metal Machine Music, which is the subject of not one but two pieces in Psychotic Reactions. The first, “How to Succeed in Torture without Really Trying,” describes MMM this way:1
What we have here is a one-hour two-record set of nothing, absolutely nothing but screaming feedback noise recorded at various frequencies, played back against various other noise layers, split down the middle into two totally separate channels of utterly inhuman shrieks and hisses, and sold to an audience that was, to put it as mildly as possible, unprepared for it. Because sentient humans simply find it impossible not to vacate any room where it is playing. With certain isolated exceptions: mutants, mental patients, shriek freaks, masochists, sadists, amphetamine addicts, hate buffs, drug-numbed weirdos too walled off by chemicals to feel anything, other people whose nervous systems are already so bent out of shape that it sounds perfectly acceptable, the last category possibly including the author of this article.


